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Joined 2 years ago
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Cake day: June 10th, 2023

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  • Informal tenancies seem to be state-dependant from what I can find (more concrete in california and florida), though I’d be fascinated to see if this has been legislated or litigated upon more generally. Of course verbal contracts are valid contracts, but that’s the sort of thing that would probably have to be sorted out in court.

    In the end as advice for OP, I stand by the opinion that “they can’t kick you out without notice” is not a good idea to base one’s decisions on. You could be kicked out, whether it is legal or not, and the legality of such a no-notice kick out on a verbal and informal contract is certainly not an entirely non-disputed concept in all states.

    OP could get kicked out, and maybe they could take their mother to court to try and get that solved eventually, but in the immediate they would end up houseless and in a pretty dire situation.



  • Depending on where OP is, that’s not strictly true. If you are in a situation such as this, at least within the UK, you are not strictly entitled to the rights of a tenant if you do not pay rent nor do anything in lieu of rent.

    Basically in the UK if you do not have a tenancy agreement, cohabitation agreement, or license to occupy, then it can start getting very complicated. If they were named as a property owner, or had a common understanding of financial interest in the property, they might be able to fight for a stake of the house, but that isn’t really the point here. In the end whether they can be kicked out legally is a complex issue (at least in the UK) and not really a question we could answer here.




  • Yeah I think flat enough is the right phrase. Their bass is definitely lacking but with a well configured sub (I set the crossover at about 80Hz I think) you can compensate. My only feeling about producing with a sub is unless you’re in a very well acoustically treated room, it’s worth checking your mix on good headphones and a few sets of speakers to make sure your interesting sub bass parts are actually coming through nicely. They are good though to really work out what’s going on in the sub frequencies of your mix. Also makes it really obvious when those areas are getting muddy.



  • My own classic was fiddling with the nvidia PRIME config to try and get rid of some very mildly irritating screen tearing. No graphics output at all. Now this is fixable of course, but it’s a pig.

    And I’d decided to do this 2 hours before an incredibly important progress review meeting for my PhD.

    Got it back with about 10 mins to spare and decided just to leave the driver config alone after that.

    Bonus round

    Also a friend managed to bork his ubuntu 16 laptop by trying to switch from unity to gnome and ending up with sort of neither. That was reinstall territory right there.


  • I mean, just give them money?

    Put it this way: getting a job is just one of many challenges facing homeless people.

    For example, if you get a job but are already living absolutely hand-to-mouth, can you actually afford to have that first month of work with no money coming in on a day by day basis. If you cannot afford to even eat how will you make it to that first paycheck?

    Even if you do, where will your job put that money? Many, many homeless people do not have a bank account, and what do you need to open a bank account? A home address and ID!

    Were you fortunate enough to become homeless with a copy of your birth certificate or other form of ID? If not oh that’s not a problem sir, it’ll cost you £35, and then it’ll arrive by recorded delivery to your home address. Where was that again?

    Pretty much no person is homeless by choice. Most are there by a combination of bad luck, violence, a lack of a social security net, mental illness, and many many other factors. Very few people would choose a life of danger and unprovoked violence. You wouldn’t want to be without a home, they don’t want to be without a home for the exact same reasons.

    So in conclusion, it is the very basics of human decency to feel bad for them. I would urge you to go further and try to help them, whether that be by direct contribution, by volunteering, by donating to a housing charity, or something else.


  • As mentioned by foggy, jazz harmony (which I frankly suck at) or counterpoint are both the things which will give a formal understanding of this sort of thing.

    That said I picked up a lot of it more from playing regularly with people who are much better than me at music. In the end if you immerse yourself in music that uses these ideas more regularly you start encountering strange chord notations and seeing patterns in why they are as they are. Finally it isn’t really a prescriptive thing, there will always be many ways to write the same chord, and it will usually be much of a muchness what is written vs what you actually play.

    In the case above I’d probably always write it as a D because for someone trying to learn it quickly they’ll know what a D is more instinctively than a weird augmented minor.



  • That reads to me as a F#m with an augmented 5th. The notes of a simple tonic triad of D would be D F# A. Meanwhile an F#m would be F# A C#. If you augment that C# to a D and take the second inversion of the chord then you again get D F# A.

    The actual reason you would write it like this would really depend on what you are doing musically in the piece more widely. If you were going F#m -> Bm through D as a passing chord, you could consider it as an F#m aug5, however this kinda would make more sense if the other parts of the piece implied that chord to be an F# chord.

    In general don’t worry about it too much as often you don’t really mean the alternative representations that it suggests, but there is some fun music theory underlying this.