I’ve seen some interesting takes on this elsewhere as well. If Twitter is making the legal argument that all the accounts belong to them explicitly, would that make them responsible for all the content they host as well?
They basically get away with all the hate speech and copyright infringement because they are considered a “safe harbor,” not the owners of the content themselves; but if they’re the owner of the content, the safe harbor status might not apply…
While the fact that Twitter is run by a flagrant right-wing fascist who would do anything to help other major right-wing fascists is nothing new, I did think this was an interesting look at the state of social media.
The idea that you can never own your own account (and likely, by extension, anything you post on said account) really drives home the point that the Internet as it is now is basically wholly owned by a handful of corporations.
I don’t know if we’ll ever be able to reach the point of everyone making their own silly little sites again. It seems like social media is now required to drive views, so the artists who need views for sales will always need to be on social media.
Luckily, decentralized social media is on the rise. Lemmy, while still comparatively small, has a fairly active user base; and while Mastodon has not (and likely will not) ever be mainstream, even Bluesky is technically decentralized as well (I think).
Having said all that, I would very much like to see people making their own sites just for things they enjoy. It’s surprisingly not that hard to do as long as you don’t need it very polished.
I’m not super plugged into the world of music, so you know it’s bad when I’ve heard someone got owned so hard they’re suing over it.
I’m honestly not even sure what the end goal is for Drake, since all he is doing is bringing it to the forefront of the public consciousness again. (I guess he must have been impressed with how well similar tactics worked out for another musician, Barbara Streisand…)
That is really the term. Of course, every time a new wave of users join, they always say they’ll never call them “skeets,” but they usually change their mind in time.
In my personal opinion, I actually really appreciate them being called “skeets.” It kind of serves as a reminder that they are not to be taken seriously. I also appreciate that calling them “skeets” will help deter large corporations from joining for some time. (What company wants to be associated with a social media site where the posts are a tongue-in-cheek reference to ejaculate?)
I think (/hope) trolls are going to have a pretty hard time gaining traction on Bluesky. As you’ve mentioned, the block lists are quite effective; but also the lack of algorithm helps too. No matter how many likes/reskeets an offensive skeet gets, I will never see it unless someone I follow specifically reskeets it themselves.
With this in mind, most people seeing the trolls’ posts will likely only be the trolls themselves. Of course they can hop into the comments of a popular skeet; but once they are blocked by the original poster, their skeet becomes removed for everybody.
From what I can tell, the enhanced moderation tools combined with the followed-only feed should make being a troll on Bluesky much harder…
It seems like Twitter may have passed the thermocline and now seems to be hemorrhaging left leaning users.
What I found interesting about this article was how the right leaning users are likely to follow them because they need the left leaning users for engagement. I suppose on some level it’s common sense. Truth Social and Gab never took off for a reason; but it’s still interesting to think about.
This raises a more philosophical argument as to what signifies the fall of a body like the Federation.
The Federation is a union of other bodies who through the spirit of cooperation decide to work together. If the majority of the bodies that make it up decide to pull out, does that constitute the fall of the Federation?
If one body leaves, of course it has not fallen; and if they all leave, it no longer exists at all. How many planets still need to be in a union for the Federation to successfully exist?
The fact that Vulcan/Ni’Var and Earth both pulled out and are two of the Charter members is certainly notable (though it doesn’t prove the fall of the Federation).
If it felt like the Federation had been weakened but was slowly rebuilding, I would agree with your idea that the blow to the Federation was meant to show its resilience; but the fact the Federation was not picking up steam at all (and felt much more in decline), to me indicates that the writers intended for us to interpret this as the Federation in its death throws until the Discovery showed up.
Perhaps this speaks to my own mindset as opposed to how the writers intended it, but it’s certainly how it came across to me.
As an aside, it could be interesting to explore what a Federation not primarily influenced by human/Vulcan influence could look like, as well as explore the idea of what constitutes the Federation (for example, could you have a Federation with no planetary members made entirely of individuals who have left their planet in the name of galactic brotherhood?). I am not sure the Federation is still in a place where such concepts could be explored, but it could certainly be interesting…
I’m definitely excited to see Lower Decks hopefully going out on a high note, but I’m definitely sad to see it ending.
As someone who only recently got into Star Trek specifically because of Lower Decks, I am curious what show Paramount is hoping will act as a gateway show, so to speak, for new viewers.
That stuck out to me as well. Disney probably made 50k USD in the time it took me to write this comment. This feels more like sending a message than trying to avoid a costly payout.
I’m sure they want to discourage lawsuits, but I’m worried they did this just to try to set a precedent on EULAs being the end-all-be-all.
I just hope they get enough bad publicity from this move to cost them more than the payout would have.
The fact that Disney is asserting that whether a EULA has been read is irrelevant and that a EULA signed five years prior for an unrelated use is still enforceable feels more than insidious.
I hope Disney’s claim gets thrown out because I worry about the precedent this could set for EULAs going forward.
I’m definitely a little late to the party to comment on this thread, but it blows my mind that any organization would pick a flight with SAG-AFTRA at this point (or the WGA, though that’s not relevant to THIS issue).
SAG has already proven they will hold out pretty much indefinitely and the effects of the joint SAG/WGA strike are still being felt in Hollywood now.
Is the siren song of AI so alluring that companies are willing to die on this hill? At its peak hype, I could see executives salivating at the potential savings; but my understanding is there has been pretty substantial pushback to projects made with AI (or tech with AI in it). I can’t imagine that these large studios think their potential savings would outweigh the potential losses in sales; but I guess that’s why I’ll never be a Fortune 500 CEO…
I wish SAG-AFTRA nothing but the best in their endeavor for protections against AI.
I can’t say I’m surprised to see Gamepass get a price hike; it always seemed like it was in the loss leader stage to try to grow market share.
I wonder what the reasoning was to institute the hike now, though, since I’m not sure how strong their market share actually is on it.
My theory is that either:
My understanding is they are still releasing new Series S models, which are basically just Gamepass machines; so I would expect they are not happy with their current market share (though corporations literally never are), which makes me think it’s the former option, not the latter.
All that being said, I wonder how much the price can increase before the value proposition of Gamepass is moot. Right now 20 USD a month doesn’t sound bad as long as you’re playing at least one new game a month, but I wonder how much more room there is in the price before the number of games you would need to play becomes unreasonable.
Personally, I’ve never been a fan of the Gamepass model since I like owning my games physically (it’s the main reason I prefer console to PC), so I don’t have much of a horse in this race; but I will be interested to see what becomes of Gamepass in the long term.
It really does feel like that’s what happened. Is WBD going to can something every time they lose an expensive bet?
To add insult to injury, I don’t think anyone was clamoring for an online-only looter-shooter version of this game. If they had just let Rocksteady do their thing, it probably would’ve been a hit. WBD (probably) meddled hard with what would’ve been a solid game, and now a bunch of smaller developers are paying the price…
That does not feel like a good way to build brand loyalty. Especially because no artist is going to want to give their work to a corporation who will throw it in the trash first chance they get.
I think you can download it from Deery’s website (Link)(Archive link)
So I think (/hope) it’ll be available indefinitely-ish…
It’s honestly very sad how corporations can just throw their work in the trash if they think it will make them more profit there. I’m glad Deery was able to release it on his own for free so the game won’t be lost, but it’s unclear if all the developers will be able to do that.
I can’t imagine how frustrating and disheartening it must be as an artist to create something to share with the world only for it to be essentially buried underground because someone decided they could make a little extra money if no one ever sees what you made…
That’s pretty cool. Does it let you pause games indefinitely while playing other games, or does it just initiate a pause while you’re on the home screen, etc?
The sleep function is pretty nice, but I like to swap games relatively frequently; so being able to save frequently is still critical for me. Plus at the time, I was just playing on my personal computer, so I couldn’t leave it running, even if I wanted to.
For P5R, I suggest only playing for an hour or a two at a time; I think it helps keep the game from dragging. For me, it helped keep the exploration aspect fun since I didn’t have to rush to the end since I was probably not getting there in this sitting anyways.
I can’t really compare too much to P4G, since I never got very far in it (I missed the QoL improvements).
I think being able to save in safe rooms let them expand the Palaces/Dungeons, which I could see making the game drag for some. Personally, I enjoyed the safe room mechanic since it meant that I could play for short times if necessary, which let me “pick up and play” much easier.
P5R was my first introduction to the series, but I’ve heard the characters in P4 are much more fleshed out. Is that your issue, or would you say it’s the game mechanics that are bugging you?
That’s a pretty big question, with a couple of different interpretations. If you are asking how I handle thinking about the passage of time, the easiest answer is to make it tomorrow’s problem. This is probably not the healthiest answer; but it doesn’t pay to stress over inevitabilities, so I just do my best to put them out of my mind.
If you are asking the best way to utilize your time, my recommendation is to start focusing on yourself immediately. It’s very easy to prioritize work by staying late or overworking yourself to make your bosses happy, but no amount of overwork will ever satiate your company; it will only serve to drain the life from your body. It’s very important to set firm boundaries with your job. I, personally, will not even look at my work phone or computer the minute I leave the office (on Mon-WFH days) and have a hard stop every day at 5PM unless agreed upon well in advance. You lose so much time and energy to your job that just standing firm on your boundaries can be a huge QoL boost.
Please also do your best to cultivate a creative outlet as a hobby. A lot of people don’t think they are/can be creative, but anyone can be creative if they find the right outlet. It could be art, sewing, crochet, music, writing, or even creative programming. The important thing is to find a way to explore your feelings and do something productive with them. In my experience, I am often the most vivacious are when I am making art in one form or another; I highly recommend it.