There’s inevitably (and understandably) going to be a lot of speculation about what, exactly, led to this decision, but…in the absence of any further information, I’m just going to be bummed about it.
Here’s the first (big FWIW/grain of salt/etc) thing on the decision that’s I’ve seen (besides the TrekMovie article note that ‘it’s no secret that the show didn’t Nielsen chart’). From author Mike Chen on Bluesky.
From the few insiders I know, viewership was actually above expectations and this was more of a “future of the franchise” corporate decision. I’m expecting Trek to be in flux as there are SO MANY variables. Everything from tech stocks to Iran to midterms is impacting Paramount.
Leaving the link to his post here for reference but he has his posts hidden unless you’re logged into Bluesky.
I commented on social media that even though the press reports say the question is open, his “farewell” letter in the reports read to me like someone on the way out talking to his successor. And Brian Tatosky (one of the VFX team) replied:
Yes, SFA being cancelled is part of ending his tenure of Trek once we finish the work we have.
A more measured take VS than I can manage at present.
My partner commented “It wouldn’t take much with the Ellisons” when I said it was reportedly canceled but, I have been hoping that there just might be more sophistication in the analysis of the show’s potential in a bigger, broader streamer.
My own thoughts go to women like my mother-in-law now in her 90s, or the superfan Bjo Trimble, who watched and supported Star Trek and other science fiction media, decade after decade, without seeing many women like themselves in principle roles.
They weren’t watching because of their husbands or kids, they were enjoying science fiction for themselves and their views, and all the related licensed media and merchandise they bought produced exactly the same advertising and other revenue.
Yet, entitled middle aged guys — who aren’t even in the key youth demographic anymore — want to define the franchise and seem to be being listened to.
Older person that I am, I recall the boys in the neighborhood would take their toys and wouldn’t join imaginative play unless they got to be the hero. I guess they never changed.
Well, damn.
There’s inevitably (and understandably) going to be a lot of speculation about what, exactly, led to this decision, but…in the absence of any further information, I’m just going to be bummed about it.
Here’s the first (big FWIW/grain of salt/etc) thing on the decision that’s I’ve seen (besides the TrekMovie article note that ‘it’s no secret that the show didn’t Nielsen chart’). From author Mike Chen on Bluesky.
Leaving the link to his post here for reference but he has his posts hidden unless you’re logged into Bluesky.
Hmm, that is a very interesting data point.
Here’s another one to ponder.
I commented on social media that even though the press reports say the question is open, his “farewell” letter in the reports read to me like someone on the way out talking to his successor. And Brian Tatosky (one of the VFX team) replied:
So it sure seems like the end of the road.
Well, he’s certainly in a better position to know than any of us in the peanut gallery.
Let’s hope they get it over with and make an announcement sooner, rather than later.
Yes, let’s finish celebrating this 60th anniversary in style! 😂
A more measured take VS than I can manage at present.
My partner commented “It wouldn’t take much with the Ellisons” when I said it was reportedly canceled but, I have been hoping that there just might be more sophistication in the analysis of the show’s potential in a bigger, broader streamer.
My own thoughts go to women like my mother-in-law now in her 90s, or the superfan Bjo Trimble, who watched and supported Star Trek and other science fiction media, decade after decade, without seeing many women like themselves in principle roles.
They weren’t watching because of their husbands or kids, they were enjoying science fiction for themselves and their views, and all the related licensed media and merchandise they bought produced exactly the same advertising and other revenue.
Yet, entitled middle aged guys — who aren’t even in the key youth demographic anymore — want to define the franchise and seem to be being listened to.
Older person that I am, I recall the boys in the neighborhood would take their toys and wouldn’t join imaginative play unless they got to be the hero. I guess they never changed.
One of the organizers of the letter-writing campaign that saved TOS for a third season, for folks who don’t know.
There’s a new change.org petition for a 3rd season of Starfleet Academy that broke 500 signatures in the first hour.
No idea if the executives would pay attention but it’s a way to counter the narrative of the negative brigading the show has been dogged by.
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