

It’s just extra seasoning.


It’s just extra seasoning.


I agree there’s intention to present optimism and humanism in the face of conflict, but I find the execution to be lackluster. An example that comes to mind is Pike objecting to using mines in season 2 of DIS. He raises the issue directly to Cornwell, saying it’s against Federation values. Then for some reason, the discussion becomes finding out why the Enterprise was diverted away from the Klingon war and ends praising Pike being “the best of Starfleet.” The entire discussion about using unethical weaponry during wartime is sidetracked and left unresolved. The mines are still there on the station, and the responsibility of Starfleet Command for not taking down those Klingon mines is not explored.
Another example is the explanation of the Burn. From interviews I’ve seen, the intention behind the crying Kelpien is to highlight the need to understand and sympathize with people vastly different from you even when the universe is as vast with warp travel impossible. The resolution is Burnham and Saru finding this Kelpien and help him understand his visions and thoughts, calm him down, and make warping safe again. But this Kelpien lacks characterization from the beginning. The audience doesn’t know him that well, and we don’t know why we should sympathize with his personal resolution. It would be much stronger if the cause of the Burn is the Emerald Syndicate, which we have established as a hostile force against the Federation. And we know they have good cause to be suspicious of the Federation from Osyraa’s meeting with Vance. In the show, despite this message of reaching out to the vastly different, the Federation and the Chain never understood each other and resorted to using force. Another good candidate for the cause of the Burn is Ni’Var, which has its reasonable suspicions of the Federation at the time.


We already have Prodigy, Strange New Worlds, and Lower Decks under Kurtzman that are considered “optimistic.” The question is, do kids want optimism?


It’s an example of one company coercing another to enshittify for revenue. Getty also gets the blame here.


Edit: More examples


Empire: A bland comedy spacecapade stuck between two (strange new) worlds
Hollywood Reporter: Not Even Michelle Yeoh Can Save Paramount+’s Subpar Spinoff Movie
New York Times: Set the Phasers to Shun
Los Angeles Times: ‘Star Trek: Area 31’ is diverting, but it’s more pilot episode than film (weird and glaring typo in the headline)
Space.com: It isn’t classic ‘Trek’, but the Paramount+ exclusive offers some flashy fun


I had the same thought when NFTs became popular, but no longer. NFTs are artificial scarcity, since they have no inherent value and the uniqueness of each should therefore hold no inherent value. But the hype’s gone now. Nobody cares about NFTs because everyone knows their value is artificial. I think that is what’s gonna happen when replicators are invented. There will be brief periods of hype to create artificial scarcity, but they will pass.


Mike McMahan had an idea that S5 could be the last season before the news was announced, so there was probably some pressure to tie some loose ends instead of focusing on the season arc.


Mike McMahan said on Reddit that that’s how she wants to be credited. He didn’t say why tho


I’m so glad they decided to make the lines thicker. I always thought the Breeze icons were ugly because of their 1px outline style. It’s hard to see and lacks weight. Liking the improvement here.


A slight inconsistency with Voyager logic is that the Doctor’s mobile emitter seems to disappear when the Doctor is deactivated. That seems to suggest the emitter is holographic itself. But what emits the emitter?


By ChatGPT:
Tuvok: Ensign Kim, your dedication to your duties is truly impressive. I must admit, I find myself looking forward to our conversations more than I expected.
Harry Kim: Thanks, Tuvok. Your guidance means a lot to me. There’s something about our talks that feels different. It’s like we’re on the same wavelength.
Tuvok: Indeed, Harry. I sense a connection between us that goes beyond our roles on this ship. It’s a puzzle that intrigues me.
Harry Kim: I feel it too, Tuvok. It’s like we have this unspoken understanding that’s hard to put into words. I’ve been thinking about it a lot lately.
Tuvok: Perhaps it’s time we acknowledge this connection and explore it further. How about we have dinner in the astrometrics lab tomorrow evening?
Harry Kim: I’d love that, Tuvok. I’ve been hoping for a chance to get to know you better outside of work. Tomorrow evening sounds perfect.
Tuvok: Excellent. I’m looking forward to it, Harry. The idea of spending more time together and unraveling this mysterious bond between us is quite appealing.
(They share a smile, their unspoken feelings now out in the open, as they finalize plans for their upcoming date in the secluded corner of the lower decks of the USS Voyager.)


I think you missed the point here. To the believer, evidence is not the main concern. Many Christians talk about their connection and relationship with god, which is subjective. To them, god exists because they have faith, not evidence, that it exists. Where’s that faith coming from? As many others explained in this thread, it’s about finding the sense of community and comfort in knowing that somebody higher us knows best in the world of uncertainty.


Crew romance doesn’t play a big role in Voyager tbh, gay or not. The only proper relationship we see fleshed out is between B’Elanna and Tom Paris. We hear about Tuvok’s wife, Janeway’s fiance, and whatever that is between Seven and Chakotay.
It will be interesting to see Harry dating men but I don’t see a pairing on the bridge.


It depends on what you’re wiping off. If it’s for drying yourself after a shower, then I’d just use my big bath towel to dry every part of my body since they should all be clean by that point. I sometimes use an extra towel for my hair since I have long hair and it needs some extra fabric to help dry out.


Good bot by not doing your job.


For how much he says “funny” in this, the series wasn’t very funny.


Nothing new really. A series producer asks fans to watch his show.
PIC was always meant to be a three-season series, and DIS is the first show of the Kurtzman era to air, so it makes sense its the first one to end to make way for new shows. Dropping PRO from Paramount+ before season 2 is surprising though.


Content creator is also a dumb term. Everything is content. We have filmmakers for people who make videos, vloggers for more casual ones, streamers for live video. Writers and bloggers are better words than “content creator”
His eyes are too closely together in S1.